niciojj3的部落格

1. Know your gear

Historically this message meant: cognise your portable wheel as capably as your console table if you had one. In the context of use of most household copy studios these years (where furthermost mixing if not all is done "in the box") it means, know the strengths and weaknesses of digital signaling in general, and cognize your plug-ins. When it is all aforesaid and through with a compressor is a compressor and an EQ is an EQ, and the key incongruity relating EQ A and EQ B is whatever arithmetic guidelines utilized for DSP. The controls bestowed to you are your singular signal to the equation so basic cognitive process how to knead these controls to get the sound you impoverishment is predominate. Very rarely will you brainwave thing "out of the box" that will get something done the errand you demand perfectly, and much importantly, right because you remunerated $X,XXX dollars for it doesn't stingy you can get the racket you poverty out of it, or if any person can for that concern. At the end of the day you can sole get the sounds out of your wheel that you know how to, so the much sounds you how to get the stronger and more versatile engineer you will be. Invest your time in basic cognitive process what you have resourcefully beforehand investment your sturdy earned change in too abundant plug-ins that will be waste until you really swot them too.

2. Use Your Ears

Now here's an fresh view for a stable swing/musician: Use your bleedin' ears. With all these terrifically designed GUI's that we are given with these days it's simplified to get disturbed and introduction combining next to our opinion. I've even caught myself intelligent "yeah that looks about exact." It's upright always remember that dependable doesn't expression like anything unless you are on hallucinogens.

3. Trust your Ears

Just because dependable guidelines or "professionals" say to do it one way doesn't show that you should ever do it that way. Remember that every mix is peerless and both mix will have it's own grumble and knowingness. Read the singing part or perceive to the demo to try and grasp the letter that the musician is hard to show and use the mix to intensify this statement. Come up beside a set up for the mix in your caput and trust your ears to implement it. You can frequently even knowingness the tension in your shoulders production when the the sounds you are creating lucifer the sounds of the mean in your director.

4. Get a Second Opinion

Your ears will beyond question get fatigued and normally you will become hyper persistent on tweaking a incredibly picky element of the mix. This is ever a fitting instance to pocket a break, let your ears rest, and brainwave soul who's feelings you value to perceive to what you've been serviceable on. Often present those will hold that the rumble you are aiming for is charge pursuing, but they won't needfully cognize how to achieve it. Typically you are maddening to create a mix that will sound with the tons. As an arrange you have the know how to get the mix to uninjured how you would suchlike it to sound, but you must bring to mind that you are providing service to a consumer (even if you are the buyer as well, it helps to think the advancement this way).

5. Use eightfold monitors

Using treble television sources is exceedingly of value to creating a swell symmetry in a mix. Always brood over where your mix is supreme likely to be vie and net confident that it sounds correct on that spring. Use your work quotation monitoring device primarily, but demonstration you mixes on a den stereo, machine envoy and in headphones as all right. Not all one has the calibre of speakers that we use for remark monitors and the record assuredly will not have the one and the same oftenness reply. If you can visual communication the mix on a sound set of contacts beside a ably balanced sub speaker this can lend a hand a terrible woody when equalization the inferior end.